Back Roads
Back Roads

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- 57/100 based on 1,034 votes

A prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.... (Full plot summary below)

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Full Plot Details

A prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.

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Movie Reviews

Newsweek - 10/10 by David AnsenHow could they take this material and make it really original? Maybe by refusing to be seduced by the Screenwriter's stock Hollywood "originality" and probing more deeply into the real human lives of the characters. The people in Back Roads are so heavily laden with schtick that they never have a chance to develop personalities.
Los Angeles Times - 10/10 by Charles ChamplinDespite a couple of drawbacks, The Empire Strikes Back is an immense amount of fun — big and splashy and breathtaking in its display of cinematic genius by a huge group of marvelously talented people.
ReelViews - 10/10 by James BerardinelliThe storyline is more interesting and ambitious, the characters -- little more than appealing types in the original -- are allowed to grow and develop, the special effects are more mature, and the tone is deliciously dark and downbeat. [Special Edition]
San Francisco Chronicle - 10/10 by Peter StackThe balance between action and mysticism in The Empire Strikes Back provides fascinating energy. It's as if the kids are given one set of delights, the bravado of battles and elaborate warships zooming through exotic space, and adults are given another, a layered explanation of what it all means in the grand scheme of things. [Special Edition]
Chicago Tribune - 10/10 by Gene SiskelThe storytelling is the series' best, with a zingy balance of drama, humor, and Deep Thoughts (in a screenplay by Leigh Brackett and Lawrence Kasdan, directed with confident exuberance by Irvin Kershner). [Special Edition]
The Hollywood Reporter - 9/10 by Arthur KnightWhile Empire doesn't quite measure up to Star Wars in the freshness and originality of its script, and the plethora of space operas that has been jamming the screens ever since Star Wars has somewhat lessened the novelty of city-sized ships sailing the stratosphere, nevertheless this 20th Century-Fox release remains a rattling good entertainment, a worthy successor to the original — and far and away the best of its kind since Star Wars itself.
San Francisco Examiner - 9/10 by Bob StephensThis is the bluest film you'll ever see. The haunting color resounds throughout Empire like a sustained, melancholy chord...Empire is essential viewing for lovers of science fiction. [Special Edition]
The New Yorker - 9/10 by Pauline KaelIt was incredible to see what is arguably the best of the Star Wars films, on the big screen again. However, I do not believe that any of the minor changes make the film any better. [Special Edition]
Time - 8/10 by Gerald ClarkeIn many ways the new film is a better film than Star Wars, visually more exciting, more artful and meticulous in detail. As a special effects wizard, Lucas fairly dazzles the eye with his optical magic.
Time Out - 8/10 by Tom MilneVery good on local colour but a bit sugary in its attitude to the central relationship, it would have been better taking a bleaker cue from Tommy Lee Jones' admirably dry performance.

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