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Leave your thoughts about Baby Ruby.
| Arizona RepublicBill GoodykoontzThe film is a mad whirl of influencer phoniness, paranoia, imposter syndrome and parenting nightmares. |
| Movie NationRoger MooreBaby Ruby is pitched somewhere between domestic melodrama, a tale of a crack-up, and paranoid thriller. Wohl and Merlant keep shifting the ground underneath Jo and the viewer, throwing us off balance. |
| San Francisco ChronicleBob StraussThere’s crafty playfulness to Wohl’s approach, though; dialog can be as killer as Jo’s darkest impulses, and some scenes are drop-dead funny even if they’re about wanting to drop-kick Baby out of your life. |
| Washington PostAnn HornadayBaby Ruby makes a valuable contribution to the emerging cinematic literature on the unspoken realities of women’s lived experience — with style, disarming honesty, and a steady and intelligent hand. |
| The A.V. ClubHattie LindertDespite some unevenness, Baby Ruby is a fervently uncomfortable and aesthetically compelling depiction of new motherhood, an unsettling horror exploration buoyed by strange imagery and a no-holds-barred lead performance from Noémie Merlant. |
| Los Angeles TimesRobert AbeleIn its empathy-driven terror and ghoulish wit — including the Chekhov’s-gun rule hilariously applied to the placenta — “Baby Ruby” won’t be for everyone, although it only ever feels steeped in the honesty of experience, which, according to the press materials, was partly Wohl’s own. |
| VarietyGuy LodgeEvocative and appropriately aggravating as Baby Ruby is in its portrayal of mental breakdown following traumatic childbirth, however, its parlaying of this condition into full-blown genre tensions and terrors yields mixed rewards. |
| The New York TimesNatalia WinkelmanAs moody and messy as its eponym, Baby Ruby aspires to demonstrate how postpartum psychosis can feel like a horror movie. It just fails to make the condition feel like a particularly convincing or cohesive horror movie. |
| RogerEbert.comSheila O'MalleyBaby Ruby operates at a high-pitched melodrama-horror level, and the constant frenzy becomes exhausting. The film's nerves become so frayed there's almost no feeling left in them; the terror is monotonous and repetitive. |
| Slant MagazineWes GreeneThe film’s depiction of the fear and uncertainty of motherhood gives in to monotony. |
