
Water is the main protagonist, seen in all its great and terrible beauty. Mountains of ice move and break apart as if they had a life of their own. Kossakovsky's film travels the world, from the precarious frozen waters of Russia's Lake Baikal and Miami in the throes of Hurricane Irma, to Venezuela's mighty Angel Falls in order to paint a portrait of this fluid life force in all its glorious forms. Fragile humans experience life and death, joy and despair in the face of its p... (Full plot summary below)
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Water is the main protagonist, seen in all its great and terrible beauty. Mountains of ice move and break apart as if they had a life of their own. Kossakovsky's film travels the world, from the precarious frozen waters of Russia's Lake Baikal and Miami in the throes of Hurricane Irma, to Venezuela's mighty Angel Falls in order to paint a portrait of this fluid life force in all its glorious forms. Fragile humans experience life and death, joy and despair in the face of its power.
Leave your thoughts about Aquarela.
| The PlaylistChristian GallichioAquarela is truly a theatrical experience that benefits from the dark, distraction-free nature of the theater, in which the cycles of water, from frozen lakes to hurricanes, becomes an all-consuming force. |
| VarietyGuy LodgeA feast of HD imagery so crisp as to be almost disorienting, this is immersive experiential cinema with no firm storytelling trajectory, though viewers can read what environmental warnings they may into its rushing spectacle. |
| Los Angeles TimesKenneth Turanit’s an unexpectedly unnerving film that’s at least as terrifying as it is beautiful. |
| The New York TimesJeannette CatsoulisThe movie, like the elemental forces we continue to exacerbate, never explains itself. Surrender to it, though, and a narrative - of spectacle, conflict and retaliation - will eventually become clear. |
| Wall Street JournalJoe MorgensternA work of singular beauty and a significant technical achievement, the film makes water audible — the thumps and groans of calving glaciers sound like the planet coming apart — and almost palpable; heaving mountains of blue-black waves in an Atlantic storm convey stupendous mass and titanic energy as in no motion picture I’ve seen before. |
| Austin ChronicleRichard WhittakerIt's the astounding score by Eicca Toppinen and his bandmates in cello-metal innovators Apocalyptica that gives the film its structure. |
| Slant MagazineKeith WatsonAt heart, Victor Kossakovsky's Aquarela is a war film: a cacophonous survey of the global battle between man and water. |
| RogerEbert.comGlenn KennyThis is a purely sensationalistic cinematic experience that paradoxically encourages reflection and contemplation. |
| The Globe and Mail (Toronto)Brad WheelerAquarela’s soundtrack shifts from ambient post-rock to gnarly speed-metal to widescreen strings. The effect is a serenely apocalyptic warning: Climate change is a killer, with water as its indiscriminately lethal weapon. |
| Rolling StonePeter TraversThis eyepopper from Russian director-writer-cinematographer-editor Victor Kossakovsky (¡Vivan Las Antípodas!) is like nothing you’ve ever seen. His free-form documentary on water opens by scaring us to death. |