
Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound.... (Full plot summary below)
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Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound.
Leave your thoughts about An American in Paris.
| Groucho ReviewsPeter CanaveseA triumph for tireless dance advocate Kelly, the Freed Unit, and the American musical itself. [Blu-ray] |
| Apollo GuideBrian WebsterThe combination of Kelly's dance and charisma, Gershwin's music and Minneli's direction makes this a movie that's hugely enjoyable, even for those who don't generally look for movies that are packed with dancing. |
| Time OutGeoff AndrewA musical both ludicrously overpraised (especially in Hollywood) and underrated. |
| Common Sense MediaJoyce SlatonUnforgettable musical is great for parents and kids alike. |
| Observer (UK)Philip FrenchThe Gershwin songs are magnificent, and the climactic ballet a tour de force that won the great Hungarian-born cameraman John Alton an Oscar. |
| Tim Dirks' The Greatest FilmsTim DirksAn American in Paris (1951) is one of the greatest, most elegant, and most celebrated of MGM's 50's musicals, with Gershwin lyrics and musical score |
| Chicago TribuneHoward ReichWhile not nearly the musical it's cracked up to be, this 1951 film is absolutely required viewing for anyone who wants to see the studio system (MGM style) at its gaudiest, most Byzantine height. Art and technology have never been in closer harmony than in this Vincente Minnelli-directed rendition of George Gershwin's concert masterpiece. |
| CineVueJoe WalshThe sumptuous colours, outstanding choreography and toe-tapping tunes are nothing but first-rate. |
| Austin ChronicleGeorge MorrisThe camera tracks, cranes, and dollies through the dance space, anticipating with the boldness of the greatest director working at MGM in 1951, that the New Wave is, indeed, not so very far away. Finally, like all of Minnelli's collaborations with Lerner (Brigadoon, Gigi, On a Clear Day You Can See Forever), An American in Paris is a paradox - a musical that embraces solitude and romantic despair. It is a resplendent motion picture. |
| The SpectatorVirginia GrahamIn the musical line there has been little of any quality since On the Town; so it is with a deep contented sigh that I can now point a recommending finger at something nearly as good, almost as stimulating and undoubtedly aesthetically superior. |