
Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland's thrift stores and garage sales for more, savoring... (Full plot summary below)
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Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland's thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey's true soul mate as they experience the bizarre byproducts of Harvey's cult celebrity stature.
Leave your thoughts about American Splendor.
| Shadows on the WallRich ClineCleverly and joyfully blurs the lines of real life with various dramatised versions of it. |
| Milwaukee Journal SentinelDuane DudekBerman and Pulcini, documentary filmmakers making their narrative debut, have made a work as unvarnished as their subject. |
| Dallas ObserverRobert WilonskyA gentle, frank, and often hysterical love story about two people destined, and occasionally doomed, to be together forever. Some of us should be as lucky, as blessed, as Harvey Pekar. |
| Sacramento News & ReviewJim LaneThe film's style is as unorthodox as the original comic book, and just as funny and true. |
| Sydney Morning HeraldPaul ByrnesHarvey's virtues are less obvious, but American Splendor eventually makes his old-fashioned American cussedness seem like a form of heroism. |
| Charlotte ObserverLawrence ToppmanA feature film as odd, personal and sometimes mundane as his (Pekar) comics. |
| CinerinaKarina MontgomeryIt's a self-reflexive paean to a self-reflexive peon who happened to turn lemonade into lemons and rocked the indie comic world. |
| Aisle SeatMike McGranaghanAmerican Splendor is one of the best cinematic depictions of an artist and his work that I ever recall seeing. |
| ReelTalk Movie ReviewsBetty Jo TuckerPaul Giamatti seems to crawl into Harvey Pekar's skin. While not resembling Pekar physically, he's got that curmudgeonly attitude down pat. |
| Window to the MoviesJeffrey ChenMakes a good case for the constructiveness of working out the questions, issues, and problems one faces in life through the output of art. |