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| TheWrapDan CallahanCo-directors Bryan Darling and Jesse Finley Reed and writer Peter Jones manage to cover a lot of territory in a compact 83-minute running time, while striking the same balance between sexy and peculiar that makes the catalog such a hard-to-parse artifact of its era. |
| The New York TimesElisabeth VincentelliAdmittedly, the film is more dutiful than artful, ticking one box after another, a tendency that is especially obvious when it ventures to the dark side of paradise (the ravages of AIDS on employees and customers, the lack of diversity among the catalog models). |
| VarietyManuel BetancourtTelling a straightforward tale about this queer-skewing business, “All Man” opens up inquiries on how masculinity has been packaged for the American consumer, straight and gay alike. |