
Set in early 19th century Wallachia, when a local policeman, Costandin, is hired by Iordache, a boyar (local noble), to find Carfin, a Gypsy slave who had run away from the boyar's estate after having an affair with his wife, Sultana. Costandin sets out to find the fugitive, beginning a journey full of adventures. Gypsy slavery lasted from the 14th century up until the middle of the 19th century, a situation which is very little known and almost nonexistent in the public deba... (Full plot summary below)
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Set in early 19th century Wallachia, when a local policeman, Costandin, is hired by Iordache, a boyar (local noble), to find Carfin, a Gypsy slave who had run away from the boyar's estate after having an affair with his wife, Sultana. Costandin sets out to find the fugitive, beginning a journey full of adventures. Gypsy slavery lasted from the 14th century up until the middle of the 19th century, a situation which is very little known and almost nonexistent in the public debate today, although its impact continues to influence Romania's social life.
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| Film Comment MagazineJonathan RomneyLyrical and nightmarish in turns, but in no way nostalgic, Jude's reconstruction of this world makes for one of the most striking films of the last year, and a flamboyant anomaly in today's often cautious world of European art cinema. |
| Movie MezzanineVikram MurthiAferim! never tries to foreground its own significance and is ultimately much more affecting. |
| Brooklyn MagazineSteve EricksonYet another film about how superior we are to those awful racists from the 19th-century. |
| The NationStuart KlawansAferim! is a landscape film of gorgeous variety, which sends Costandin and Ionita riding through mountains, fields, and forests, and a folkloric romp of increasingly grisly tone. |
| San Francisco ChronicleMick LaSalleThe movie establishes a quality of history by filming in black and white and shooting from a distance, so as to emphasize the broad picture. |
| Village VoiceMichael AtkinsonQuite possibly the only film ever made focused on the centuries-long enslavement of the Romani in Eastern Europe, Aferim! plays like a sleight of hand, amusing us at a distance with vulgarisms and entrancing us with countryside while the bloody work of civilization grinds on out of the corner of our eye. |
| VarietyJay WeissbergWhile its tone is occasionally overly strident, Aferim! is an exceptional, deeply intelligent gaze into a key historical period, done with wit as well as anger. |
| Screen InternationalFionnuala HalliganThrough keeping the camera mostly at a distance, with the viewer observing and hearing rather being fed emotional cues, Radu invites an intellectual judgment. |
| Hollywood ReporterStephen DaltonDo not be fooled by the playful, irreverent tone. Behind its attractive surface sheen of lusty humor and ravishing visuals, this Trojan Horse drama makes some spiky topical points about the lingering scars of slavery, feudalism, misogyny and racism. |
| Washington PostStephanie MerryMuch of the humor derives from how despicable these characters can be, and Jude doesn’t so much push the envelope as turn it into a paper airplane and let it fly. |