
A psychological noir thriller set in 1960's New York based on Patricia Highsmith's novel, 'The Blunderer'. Walter Stackhouse is rich, successful and unhappily married to the beautiful but damaged Clara. His desire to be free of her feeds his obsession with Kimmel, a man suspected of brutally murdering his own wife. But when Clara is found dead in suspicious circumstances, Walter's string of lies and his own guilty thoughts seem enough to condemn him. As his life becomes dange... (Full plot summary below)
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A psychological noir thriller set in 1960's New York based on Patricia Highsmith's novel, 'The Blunderer'. Walter Stackhouse is rich, successful and unhappily married to the beautiful but damaged Clara. His desire to be free of her feeds his obsession with Kimmel, a man suspected of brutally murdering his own wife. But when Clara is found dead in suspicious circumstances, Walter's string of lies and his own guilty thoughts seem enough to condemn him. As his life becomes dangerously entwined with Kimmel's, a ruthless cop is increasingly convinced he has found a copycat killer in Walter and aims to nail both murderers.
Leave your thoughts about A Kind of Murder.
| The PlaylistKimber MyersThe fine cinematography, set design and costumes only serve as a distraction from the sparsely drawn story and uninteresting characters. |
| Blu-ray.comBrian Orndorf"A Kind of Murder" has a handful of production achievements worth noting, but the rest is frustratingly forgettable. |
| Reel Talk OnlineCandice Frederick[Director Andy Goddard] just doesn't develop a level of intrigue or tension that you'd expect from a narrative that is built on double identities, perceptions, classism, and homicide. |
| Under the RadarAustin TrunickA Kind of Murder keeps viewers guessing and comes highly recommended to crime film fans; in particular, to those with an itch for something old-fashioned. |
| VarietyNick SchagerWhile thrills are mitigated by convoluted plotting and suspect character behavior, the film’s uniquely bleak twist on classic noir conventions is enlivening. |
| Los Angeles TimesSheri LindenThe story remains an academic argument, struggling to pierce the handsome surface. |
| We Got This CoveredLauren Humphries-BrooksThere’s too much that’s intriguing in this film to ignore it, and although the third act shows signs of strain, the first two acts more than justify the film’s existence. |
| Common Sense MediaJeffrey M. AndersonOften, Patricia Highsmith's novels are adapted into high-class affairs, but this thriller feels refreshingly small-time and pulpy, getting closer to the story's raw emotions and impulses. |
| Screen CommentNathanael HoodIt feels more like an exercise in defining the mechanics of suspense than in actually utilizing them. |
| Slant MagazineOleg IvanovThe film seems more interested in its art design then in fully developing the story's underlying sexual ethics. |