
Widowed mother Holly is radically tested when her teenage daughter Betsey experiences a profound enlightenment and insists that her body is no longer her own, but in service to a higher power. Bound to her newfound faith Betsey refuses to eat, but loses no weight. In an agonising dilemma torn between love and fear, Holly is forced to confront the boundaries of her own beliefs.... (Full plot summary below)
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Widowed mother Holly is radically tested when her teenage daughter Betsey experiences a profound enlightenment and insists that her body is no longer her own, but in service to a higher power. Bound to her newfound faith Betsey refuses to eat, but loses no weight. In an agonising dilemma torn between love and fear, Holly is forced to confront the boundaries of her own beliefs.
Leave your thoughts about A Banquet.
| The GuardianPeter BradshawPaxton’s movie sketches out the sinister dread just under the happy-family surface; she is in expert control of her film, achieving her effects with economy and force. It is really unnerving. |
| The Film StageJared MobarakAll four main actors deliver great performances. |
| Screen DailyAllan HunterAn intense combination of apocalyptic nightmare and family psychodrama. ... A provocative, rigorously composed film that confirms Paxton as a singular talent after a string of award-winning shorts. |
| The New York TimesLena WilsonYou’re likely to leave this film starving for answers, but that hunger can be just as stimulating as it is burdensome. |
| Original-CinThom ErnstHorror fans will find that Paxton's film is not a straight-ahead feast of digestible thrills and chills. Others might perceive it as an acquired taste. A Banquet requires a deliberate decision to watch as it doesn't pair well with distractions and traditional expectations. |
| Little White LiesKatherine McLaughlinPaxton is masterful at creating an atmosphere of dread, using precise framing and powerful chiaroscuro lighting to toy with symbolism from Japanese folklore, Greek mythology and modern art. |
| The PlaylistNed BoothWith a little more focus, “A Banquet” could be a haunting portrait of a family in crisis, an adolescent adrift, and mothers’ care gone sour. As presented, however, it’s an elaborate yet clumsy slice of domestic horror that bites off more than it can chew. |
| Screen RantNadir SamaraA Banquet is a beautifully made psychological thriller with nuanced performances and a gross hook. |
| RogerEbert.comChristy LemireDirector Ruth Paxton puts you on edge from the beginning in “A Banquet,” and holds that unsettling mood throughout. But because the sound design is so vivid and Paxton’s eye for disturbing detail is so creative, it’s even more frustrating that the payoff is so unsatisfying. |
| IndieWireKate ErblandThe film rockets toward an ending that’s somehow both sewed right up and blown wide open. Since neither interpretation really satisfies, it dilutes much of the creepy power that has come before. Instead, Bull’s script offers answers no one asked for. |