Yves Saint Laurent
Yves Saint Laurent

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A look at the life of French designer Yves Saint Laurent from the beginning of his career in 1958 when he met his lover and business partner, Pierre Berge.... (Full plot summary below)

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A look at the life of French designer Yves Saint Laurent from the beginning of his career in 1958 when he met his lover and business partner, Pierre Berge.

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Movie Reviews

Village Voice - 8/10 by Stephanie Zacharek Jalil Lespert's Yves Saint Laurent tries to sweep the evanescent butterfly Yves into its net: The movie isn't enough, but it's something.
San Francisco Chronicle - 8/10 by Maghan McDowell Ultimately, the story of Yves Saint Laurent makes a compelling argument for fashion as art, and begs to answer the question if there is such a thing as innate taste. And although the cadence might not be entirely original, the high-style results most certainly are.
Boston Globe - 8/10 by Peter Keough Frustratingly elusive and seductively louche, Lespert’s “Yves” probes a cryptic myth and a fragile soul, penetrating neither, but conjuring up a taste of Saint Laurent’s suffering, genius and style.
Entertainment Weekly - 8/10 by Stephan Lee Scenes between YSL and rock-steady lover Pierre Bergé (Guillaume Gallienne) spark, but the film stays too reverent to truly turn heads.
Arizona Republic - 7/10 by Penny Walker One is left wishing a little more time were spent on the clothes and the creative process, but Yves Saint Laurent is still a lovely escape into an elegant, evolving world.
The Hollywood Reporter - 7/10 by Boyd van Hoeij Though the screenplay, based on Laurence Benaim’s biography, is all build-up and no payoff, there is just enough emotional insight to compensate for the lack of narrative fireworks in the last half-hour.
The Globe and Mail (Toronto) - 6/10 by Danny Sinopoli Despite being sumptuously shot and competently assembled, it provides no real insight into the tortured mind of its subject or the creative process in general.
The Telegraph - 6/10 by Robbie Collin Rather than do something freshly cinematic with Saint Laurent’s precise, elegant creations, the film is content to exhibit them.
Chicago Sun-Times - 6/10 by Mary Houlihan Lespert’s film, made with Berge’s blessing, does not sugarcoat the demons that plagued Saint Laurent.
New York Post - 6/10 by Farran Smith Nehme Saint Laurent was known for an almost monk-like focus on his work. And so this film springs to life — the actors, the camera, the editing — when we see his creations the way they were meant to be seen: in motion, and worn by beautiful women.
Total Film - 6/10 by Kate Stables Jalil Lespert’s film treats its hero with a high seriousness that not even Niney’s uncanny portrayal of YSL’s artistry and mental fragility can justify.
CineVue - 6/10 by Joe Walsh With Yves Saint Laurent, Lespert has played it safe but stylish, and pulls it off thanks to some canny casting choices and a refreshing focus on mainstream appeal.

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