Vincent & Theo
Vincent & Theo

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- 47/100 based on 906 votes

The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.... (Full plot summary below)

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The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.

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Movie Reviews

Variety - 10/10 by Variety Staff This masterwork operates in the intimate, thoughtful vein of the great BBC bios of artistic figures.
Portland Oregonian - 10/10 by Ted Mahar The film is uncommonly evocative. [19 Dec 1990, p.D6]
Chicago Sun-Times - 9/10 by Roger Ebert [A] film that generates the feeling that we are in the presence of a man in the act of creation.
Chicago Sun-Times - 9/10 by Roger Ebert Altman's approach in Vincent & Theo is a very immediate, intimate one. He would rather show us things happening than provide themes and explanations. He is most concerned with the relationship that made the art possible.
Washington Post - 9/10 by Rita Kempley This lovely if deliberate film marks Altman's return to a more straightforward, but by no means expected, style.
Variety - 9/10 by Unknown One of Robert Altman’s most cinematically conventional films as well as one of his most deeply personal.
Newsweek - 8/10 by Ray Sawhill Altman has a sorcerer's ability to crack open scenes and invite us in to wander through them, and he keeps Vincent & Theo bristling with emotions and ideas.
Spirituality and Practice - 8/10 by Frederic and Mary Ann Brussat Contains just the right mix of drama, visual richness and psychological nuance.
Time Out - 8/10 by Geoff Andrew Nowhere does Altman sermonise about the artist's greatness; his achievement is allowed to speak for itself. If only more film-makers had such confidence and integrity.
New York Times - 8/10 by Janet Maslin The enjoyment in Vincent and Theo comes more from the director's attention to art history than from his ability to interpret it anew.
The New York Times - 7/10 by Janet Maslin The enjoyment in Vincent and Theo comes more from the director's attention to art history than from his ability to interpret it anew.
Combustible Celluloid - 7/10 by Jeffrey M. Anderson Underrated.

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