The Unsaid
The Unsaid

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A seemingly-untroubled adolescent carries disturbing secrets that compel a psychiatrist to unearth the patient's gruesome past.... (Full plot summary below)

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A seemingly-untroubled adolescent carries disturbing secrets that compel a psychiatrist to unearth the patient's gruesome past.

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Movie Reviews

Time - 10/10 by Richard Schickel If this were not such great American-vernacular moviemaking -- hilarious yet hypnotic -- one would be tempted to see something Greek in the tragedy that Ed never comprehends.
Chicago Tribune - 10/10 by Michael Wilmington Like all the Coens' movies, "Man" is supremely self-aware and darkly, hellishly funny. It's also brilliantly written and acted to a fare-thee-well by an outrageously good cast.
New Times (L.A.) - 10/10 by Bill Gallo For all its long shadows and ominous atmosphere, this is a very funny movie -- as funny as the Coens' masterful "Fargo."
Christian Science Monitor - 10/10 by David Sterritt Most of the way this ranks with the Coens' most immaculately crafted work. Cain would have loved its dreamlike chills, and so will audiences nostalgic for the movies of half a century ago.
San Francisco Chronicle - 10/10 by Bob Graham The Coens' plotting, with its suspense and reversals, is a source of amazement and delight.
L.A. Weekly - 9/10 by Steven Mikulan The Coens have resurrected a hardscrabble California of wooden porches and gravel driveways, of rolling, oak-wreathed hills and one-lane roads, and of a restless people whose meager dreams are wrecked the moment money, sex or a bottle get in the way. Never has the past seemed so familiar.
Rolling Stone - 9/10 by Peter Travers Steadily engrossing and devilishly funny, and, o brother, does it look sharp.
Los Angeles Times - 9/10 by Kenneth Turan You could say a lot about the very satisfying The Man Who Wasn't There, but what's for sure is that no one but the deadpan, dead-on Coen brothers could have turned it out.
Washington Post - 9/10 by Desson Thomson When you're in the hands of the Coen brothers, you're in for sheer originality.
The New York Times - 9/10 by Dana Stevens The Coens have used the noir idiom to fashion a haunting, beautifully made movie that refers to nothing outside itself and that disperses like a vapor as soon as it's over.
Portland Oregonian - 9/10 by Shawn Levy It's an entirely conceived work of art, dark and hopeless and maybe even callous, but glittering and wonderful in its determination and in its craft.
Philadelphia Inquirer - 9/10 by Steven Rea To be sure, there are goofy flourishes here, the in-jokey, left-field rummies that are the Brothers Coen's stock-in-trade. But this is altogether a quieter, more philosophical sort of endeavor.

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