The Limits of Control
The Limits of Control

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The story of a mysterious loner, a stranger in the process of completing a criminal job.... (Full plot summary below)

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The story of a mysterious loner, a stranger in the process of completing a criminal job.

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Movie Reviews

Financial Times - 10/10 by Nigel Andrews You have to take sides. Go see the film, go judge. Either this is plotless rubbish designed to inflame tabloid newspapers. Or it is the future of cinema, and Jarmusch has got there before the rest of us.
eFilmCritic.com - 10/10 by Rob Gonsalves ...a Zen gangster film, a mandala that scatters itself at the end. Its very quietude and uneventfulness force you into the moment every moment...
Antagony & Ecstasy - 10/10 by Tim Brayton Where I see thrilling structural and formal exploration, another viewer could see so much pretentious twaddle, and that's a perfectly reasonable response.
Entertainment Weekly - 9/10 by Owen Gleiberman The Limits of Control, even with its flow of star cameos (Tilda Swinton, Gael García Bernal, a frenetic Bill Murray), is a listless long pause that rarely refreshes.
FILMINK (Australia) - 9/10 by Julian Shaw A filmmaker who is always cerebral and occasionally very soulful, Jarmusch -- fascinating even at his most tepid -- could do better to have a lot more red blood flowing through his recent work and a little less ice water.
Combustible Celluloid - 9/10 by Jeffrey M. Anderson One character talks about molecules moving around in ecstasy, and I think this film has that kind of mystery.
One Guy's Opinion - 9/10 by Frank Swietek It may seem perversely appropriate that a picture that's mostly about waiting should make you wait for something to happen, but what may be artistically defensible isn't necessarily pleasurable.
PopMatters - 9/10 by Cynthia Fuchs The limits of control are simultaneously intimate and global. And Isaac De Bankolé's face reveals just as much as you can know.
BrianOrndorf.com - 9/10 by Brian Orndorf This is not a hollow motion picture, just an inert one, displaying a puzzling atlas of abstraction that seems sincere enough; there's just not a single reason to care about any of it.
Christian Science Monitor - 9/10 by Peter Rainer The eerie displacement of being at large in alien territory is the guiding emotion in Jarmusch's movies, and in none more so than this one.
Looking Closer - 8/10 by Jeffrey Overstreet By surprising us with repetitions, Jarmusch suggests that we shouldn't take these events as literal, traditional storytelling. This is play -- serious play.
Time Out - 8/10 by David Jenkins A work of dazzling formal discipline that riffs on the simple notion of repetition and variation.

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The Limits of Control