Margot at the Wedding
Margot at the Wedding

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- 61/100 based on 29,118 votes

A slice of family life: sisters, husbands, children, history, secrets, jealousies. Margot and her teen son, Claude, travel from Manhattan to her family's Long Island home, occupied by sister Pauline, Pauline's daughter, and Malcolm, the slacker Pauline will marry outdoors that week under a tree neighbors want removed. Backbiting marks family discussion, particularly between the sisters and in Margot's cutting remarks to Claude. Pauline tells Margot a secret that Margot prompt... (Full plot summary below)

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Full Plot Details

A slice of family life: sisters, husbands, children, history, secrets, jealousies. Margot and her teen son, Claude, travel from Manhattan to her family's Long Island home, occupied by sister Pauline, Pauline's daughter, and Malcolm, the slacker Pauline will marry outdoors that week under a tree neighbors want removed. Backbiting marks family discussion, particularly between the sisters and in Margot's cutting remarks to Claude. Pauline tells Margot a secret that Margot promptly tells Claude. Margot dislikes Malcolm and undermines him. She also has marital problems and a lover nearby. People are cruel, inside and outside their families. Is there a refuge for Margot or for Pauline? Written by <[email protected]

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Movie Reviews

Chicago Tribune - 10/10 by Michael Phillips Baumbach’s achievement stings. It also has the sureness of tone and direction of a Chekhov story.
The Hollywood Reporter - 9/10 by Michael Rechtshaffen Noah Baumbach has followed up his acclaimed 2005 breakthrough "The Squid and the Whale" with another wryly observed, giddily cringe-inducing, bracingly original winner.
Film Threat - 9/10 by Niki Foster A brilliantly executed film that, like many real-life family reunions, is alternately painful, funny, and moving.
Rolling Stone - 9/10 by Peter Travers Dissenters who see this film as a wallow in self-absorption aren't paying attention. Baumbach is acutely attuned to the droll mind games of smart people who only think they're impervious to feeling.
Entertainment Weekly - 9/10 by Lisa Schwarzbaum Which brings us back to Kidman, who really IS sensational here.
Premiere - 9/10 by Glenn Kenny Margot is a fleet, strangely enjoyable film, animated by the acuity of Baumbach's perceptions and -- this helps a lot -- the frequent laugh-out-loud wit of his dialogue.
The A.V. Club - 8/10 by Scott Tobias Margot has a kitchen-sink realism that's genuinely unsettling, like a John Cassavetes movie populated by the hyper-articulate. If nothing else, Baumbach deserves credit for refusing to cozy up to the audience.
Boston Globe - 8/10 by Ty Burr A broader work than Baumbach's last movie, and it's funnier, too, even as you gasp at the misbehavior.
TheMovieReport.com - 8/10 by Michael Dequina The raw, real centerpiece is the relationship between Kidman and Leigh, whose performances drive the film.
L.A. Weekly - 8/10 by Scott Foundas Margot at the Wedding gives its characters (and us) something to laugh about.
Las Vegas CityLife - 8/10 by Matt Kelemen a dysfunctional family portrait that, at best, shows how far sisterly bonds can stretch without breaking. At worst, it demonstrates what happens when a writer with nothing to say continues to produce after his supply of bio fuel is exhausted
Total Film - 8/10 by Philip Kemp Emotional car-crash cinema at its best, packed with characters you'd hate to meet but who are riveting to watch. Baumbach's barbed cynicism won't be to everyone's taste, but those still suffering the aftermath of a family Christmas will grin in grim recog

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Margot at the Wedding