House of Bones
House of Bones

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Corin Nemec (Mansquito, SS Doomtrooper) co-stars alongside Carpenter as TV ghost hunters that enter a reportedly haunted house that may prove to be the death of them.... (Full plot summary below)

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Corin Nemec (Mansquito, SS Doomtrooper) co-stars alongside Carpenter as TV ghost hunters that enter a reportedly haunted house that may prove to be the death of them.

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Movie Reviews

Movieline - 8/10 by Stephanie Zacharek It's painful to watch a movie like Dream House - well-acted, beautifully shot and directed with extraordinary care and attention to craft - only to realize that the story, the alleged backbone, is absurd.
Village Voice - 7/10 by Nick Pinkerton Working from a story by all-around genre specialist Jonathan Mostow, director Mark Tonderai steers the story cleanly around its queasy hairpin turns, perversely toying with one of pop cinema's most cherished clichés: the audience's inculcated desire to side with the underdog.
Slant Magazine - 6/10 by Rob Humanick A modest genre entry, Dream House also benefits from the fact that any movie with good enough sense to cast Elias Koteas is automatically better as a result, even if he is utterly wasted here.
The A.V. Club - 6/10 by Scott Tobias Working from a solid template is only half the battle; the other half is filling in the details, and it's here that The House At The End Of The Street goes flat and generic, substituting jump-scares and visual twitchiness for the psychological complexity that might have sold the horror.
Boxoffice Magazine - 5/10 by Pete Hammond This PG-13 scare-fest is more psychological terror than blood and guts, and should satisfy-not repulse-young genre fans.
The Hollywood Reporter - 5/10 by David Rooney Despite an intriguing setup, sharply drawn central characters and a lead performance from the luminous Jennifer Lawrence that elevates the material a few notches, House at the End of the Street is a by-the-book horror thriller that's low on scares and suspense.
ReelViews - 5/10 by James Berardinelli 70 minutes into the 90-minute process, I was engaged. Then it all collapsed.
New York Post - 5/10 by Sara Stewart Yes, there are the requisite jump-in-your-seat scares, many of them false alarms, and it all plays out basically exactly like any other horror movie, but Lawrence does elevate the proceedings.
The Globe and Mail (Toronto) - 5/10 by Rick Groen I doubt that Lawrence is conscious of this process. Nevertheless, stuck in a dull commercial feature, a very good actor happens upon a new solution to an age-old problem: She improves the script by transcending it, and steals the picture by abandoning it.
The A.V. Club - 4/10 by Tasha Robinson The film's ambitions are woefully small and familiar.
The New York Times - 4/10 by Jeannette Catsoulis This crackpot thriller from the usually competent Jim Sheridan leaves only one mystery unsolved: what on earth was he thinking?
New York Daily News - 4/10 by Elizabeth Weitzman We will simply be grateful she (Lawrence) is here, and thus able to turn generic junk into mildly interesting junk.

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