Ain't Them Bodies Saints
Ain't Them Bodies Saints

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The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met.... (Full plot summary below)

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The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met.

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Movie Reviews - 10/10 by Andrew O'Hehir Visually ravishing, tonally commanding and built around magnetic performances by Rooney Mara and Casey Affleck as Bonnie-and-Clyde doomed lovers, Ain’t Them Bodies Saints is a tragic but not despairing tale of fatal romance set in the Texas hill country in the mid-1970s. It marks the arrival of an immense talent who will be new to most moviegoers – although Lowery is a well-known figure in the indie-film world – and it’s surely one of the best American films of the year.
The Guardian - 10/10 by Sebastian Doggart The film is so singular, it's hard to place. At times, its elegiac visual quality evokes Terrence Malick, but Lowery's scripting is tighter and more accessible. His is truly a fresh voice, exhilarating to hear. - 9/10 by Christy Lemire Ain't Them Bodies Saints is a film that will reward you for seeking it out.
Austin Chronicle - 9/10 by Marc Savlov The balance between the slight, near-mythic narrative and the eye-wateringly beautiful cinematography (courtesy of Bradford Young), as well as the aching, spare score by Daniel Hart, create a movie that’s a more lovingly crafted tone poem than anything you’re likely to see on Texas screens this summer.
Village Voice - 9/10 by Chuck Wilson Lowery isn't a Malick and he's certainly no Kazan, but he's his own man, and a filmmaker to watch.
The Dissolve - 9/10 by Keith Phipps While virtually every shot looks like a work of art, much of the beauty of Ain’t Them Bodies Saints comes from Lowery’s refusal to choose sides.
Wall Street Journal - 9/10 by Joe Morgenstern It's a tone poem, really, less concerned with conventional action than with exploring themes of love and commitment through understated performances, sumptuous images (Bradford Young did the cinematography), lovely music (Daniel Hart composed the score) and very few words, intoned elegiacally.
The Playlist - 9/10 by Rodrigo Perez Lowery is the real deal and understands filmmaking, and this is abundantly clear in this searing, romantic crime drama and love story.
New York Observer - 8/10 by Matthew Kassel David Lowery’s quietly beautiful new film, his most ambitious to date, is at first glance a standard love story, set in the American West of what appears to be the early 1970s. Over time, however, Ain’t Them Bodies Saints transcends its plot, revealing itself as a cinematic meditation on the daunting power of loneliness.
Rolling Stone - 8/10 by Peter Travers Ain't Them Bodies Saints offers no glib answers or smooth resolution, but there's no question that Lowery is a filmmaker with a striking future.
Chicago Sun-Times - 8/10 by Mary Houlihan Ain’t Them Bodies Saints is a tone poem that doesn’t quite live up to its luster. It is so shrewdly perfect and solemn that the strong emotions layered throughout Bob and Ruth and Patrick’s intertwined story become lost in the film’s one-note mood.
Miami Herald - 8/10 by Rene Rodriguez Lowery has a lyrical style of storytelling that is delicate and subtle yet suffused with emotion and atmosphere. It’s gentle and pointed at the same time. Ain’t Them Bodies Saints wafts over you like a dream, leaving behind a lovely, melancholy trace that hurts.

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