200 Cigarettes
200 Cigarettes

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- 62/100 based on 1,884 votes

New Year's Eve, 1981, the Lower East Side. Monica's having a party, but as late as 9, no one's there. She stews (and drinks). Folks are on their way, all looking for love, sex, or both. En route, paths cross, gambits misfire: a performance artist, her boyfriend until today and his long-time pal Lucy, two Long Island high-school girls, two punk rockers, a bartender, a Scottish painter who's lousy in bed, a pretty face named Jack who runs when women say they love him, his cute ... (Full plot summary below)

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Full Plot Details

New Year's Eve, 1981, the Lower East Side. Monica's having a party, but as late as 9, no one's there. She stews (and drinks). Folks are on their way, all looking for love, sex, or both. En route, paths cross, gambits misfire: a performance artist, her boyfriend until today and his long-time pal Lucy, two Long Island high-school girls, two punk rockers, a bartender, a Scottish painter who's lousy in bed, a pretty face named Jack who runs when women say they love him, his cute but clumsy date Cindy, two trendy vamps, a loquacious cabby, the man-crazed Hillary, and Elvis Costello. Nearly everybody smokes, and nearly everybody scores. And all get who and what they deserve. Written by <[email protected]

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Movie Reviews

Cincinnati Enquirer - 8/10 by Margaret A. McGurk In the hands of director Risa Bramon Garcia and writer Shana Larsen, their predicament is funny, sad and wistful as only young lust can be.
San Francisco Chronicle - 8/10 by Mick LaSalle 200 Cigarettes doesn't have a bad scene or a false note. The picture is a succession of pointed little moments, nicely written by Shana Larsen and acted with comic assurance and sensitivity.
eFilmCritic.com - 8/10 by Brian Mckay New Years Eve, 1981. Disco was on its way out, and the "New Wave" was pounding on the shore, bringing in a fresh tide of angst for a new decade . . . good for a laugh
Los Angeles Times - 7/10 by Kevin Thomas A light comedy, pure and simple (and hardly unfamiliar), but its makers sustain its energy through the unraveling of an intricate plot and bring to it a certain edge through a witty, sharp sense of observation.
The New York Times - 6/10 by Elvis Mitchell Gathers a partyful of young players and barely gives them enough of a story line to puff on, but it gets by on personality anyhow.
Laramie Movie Scope - 6/10 by Robert Roten Like Shakespeare's "A Midsummer Night's Dream," the story concludes that love makes fools of us all.
L.A. Weekly - 6/10 by Steven Mikulan This film may never attain a critical mass of satiric understanding about its milieu or time, but at least its individual moments provide plenty of harmless laughter.
Chicago Tribune - 6/10 by Michael Wilmington Very much a looking-back movie; its most obvious model is "American Graffiti." But if you know that particular slice of early '80s Manhattan, you may be as amused as I was. [26 Feb 1999]
The New Yorker - 5/10 by David Denby This disposable date movie is not so much written and acted as cast—just about every young actor in the country is in it.
USA Today - 5/10 by Susan Wloszczyna While the film comes to a mildly clever conclusion, it feels like a bottle of vintage champagne that never gets to pop its cork at midnight. All that fizz potential wasted. [26 Feb 1999]
Globe and Mail - 5/10 by Ray Conlogue There's no sign of the writerly derring-do that is really essential to daisy-chain storytelling.
The Globe and Mail (Toronto) - 5/10 by Ray Conlogue But there's no sign of the writerly derring-do that is really essential to daisy-chain storytelling. 200 Cigarettes burns itself out well before midnight.

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200 Cigarettes